Relive the experience of coming face-to-face with some of the most well-loved masterworks at the Philadelphia Museum of Art. This miniature postcard of Poplars by Claude Monet (French, 1859–1937) is complimented by a glazed finish that mimics a painterly texture. The elegant wooden frame allows your keepsake to be hung with ease.
Each framed item has been hand-framed by Furst Brothers, one of America's most prolific framers for over one hundred years. Working with the Philadelphia Museum of Art, they have paired every item with a unique setting in a complimentary color, texture, and wood.
About the painting
The ancient walled city of Antibes is a hazy, ethereal presence across the sea in this painting of the Mediterranean coast, in which Monet's smooth brushwork evokes the heat of the morning and the languid stillness of the landscape. At the suggestion of the art dealer Paul Durand-Ruel, the artist visited Antibes on the Mediterranean Sea from January to April 1888. During the 1880s Monet increasingly explored areas beyond Paris and Normandy in search of fresh, appealing motifs. Sometimes these ventures into new territory were accompanied by doubts and challenges, as in the south, where the brilliant sun troubled Monet. He wrote to his companion and future wife, Alice Hoschedé, from Antibes: "How beautiful it is here, to be sure, but how difficult to paint! I can see what I want to do quite clearly but I'm not there yet. It's so clear and pure in its pinks and blues that the slightest misjudged stroke looks like a smear of dirt." Despite Monet's misgivings about his ability to evoke Mediterranean light, in June 1888 the dealer Theo van Gogh, Vincent's brother, bought and exhibited ten paintings that Monet made at Antibes, this work among them.