Stealing Rembrandts: The Untold Stories of Notorious Art Heists

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Stealing Rembrandts: The Untold Stories of Notorious Art Heists

About the Authors

Anthony M. Amore is the head of security at the Isabella Stewart Gardner Museum and contributes to the Boston Herald and The Huffington Post. He serves as trustee of the Association for Research into Crimes against Art and lectures widely on art crime.

Tom Mashberg is an award-winning investigative reporter and the former Sunday editor for the Boston Herald. During his 30-year career he has reported for The New York Times and The Boston Globe, as well as writing for Vanity Fair and many other publications. He was called "the quintessential newspaperman" by FOX-TV's America's Most Wanted.

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A spellbinding journey into the high-stakes world of art theft


Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world - from Stockholm to Boston, Worcester to Ohio - the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence. They also show how museums are thwarted in their ability to pursue the thieves - even going so far as to conduct investigations on their own, far away from the maddening crowd of police intervention, sparing no expense to save the priceless masterpieces. Stealing Rembrandts is an exhilarating, one-of-a-kind look at the black market of art theft, and how it compromises some of the greatest treasures the world has ever known.


“[A] gripping narrative.” ―The Washington Post


“[The authors] interview some of today's highest-profile art thieves . . . The most absorbing part of the entire book is the verbatim testimony from Myles J. Connor about how he cased museums, identified security weaknesses, planned his operations, implemented them, and sought to profit from the art he stole.” ―The Boston Globe


“Anthony Amore and Tom Mashberg have a textured feel for Rembrandt's work.” ―The Wall Street Journal


“A quick and entertaining read.” ―The Christian Science Monitor


“This is a terrific book, and excellently researched.” ―ARTnews


“A detailed look at numerous robberies targeting works by the great Dutch master over the past century. Combining impressive shoe-leather reporting skills with solid art-world knowledge, this fascinating book debunks many myths about museum heists while providing vivid profiles of the criminals and their motives . . . As Amore and Mashberg show, stealing a Rembrandt seldom pays off for the thieves but makes the world at large infinitely poorer. With hard facts and a cleareyed perspective, this book sets the record straight.” ―Associated Press


“The authors smash myth after myth, many of them the result of unrealistic movies of the James Bond variety ... An interesting mish-mash of everything related to the thievery of valuable art.” ―Kirkus Reviews

  • Paperback
  • 6 1/5" x 2/5"
  • 272 pages
  • St. Martin's Griffin, Reprint edition, 2012
  • ISBN-10: 0230339905
  • ISBN-13: 978-0230339903
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