Description
Charles Baudelaire, considered a father of modern poetry, wrote some of the most daring and influential prose of the nineteenth century. Prior to publishing the international bestseller Les Fleurs du mal (1857), he was already notable as a forthright and witty critic of art and literature. Captivated by the Salons in Paris, Baudelaire took to writing to express his theories on modern art and art philosophy.
The Salon of 1846 expands upon the tenets of romanticism as Baudelaire methodically takes his reader through paintings by Delacroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of romanticism and the artist as creative genius.
Dedicated to publishing rare, out-of-print, and newly commissioned texts as accessible paperback volumes the ekphrasis series is part of David Zwirner Books’s ongoing effort to publish new and surprising pieces of writing on visual culture.
- Author: Charles Baudelaire. Introduction by Michael Fried
- Softcover
- Publisher: David Zwirner Books, 2021
- Ekphrasis Series
- 160 pages, 7" x 4.25"
- ISBN: 9781644230534
