Monet: The Triumph of Impressionism
Few artists tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. The painter of whom Cézanne said “only an eye, but my God what an eye!” he stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art.
Part of the Bibliotheca Universalis series.
- Author: Daniel Wildenstein
- Publisher: Taschen, 2014
- 616 pages, 7.5" x 5.5"
- ISBN: 9783836551014